Ivan Shopov

Journeys and recordings with the Mazi Collective

Kinisi Festival of Sound brings together artists, some of who's practice centres on performing within particular social contexts, with artists creating alternative spaces for listening and combining sounds. 

RS: What we're doing is true to the tradition of bringing people into intimate spaces to listen to music together. And although it involves some electronic instruments, and some people work with sound rather than music, strictly, it's to create intimate listening environments, where the audience and the performers are very close to one another and are interacting with each other.

AM: There are also different folk musics involved in the festival, and the idea is allow those folk musics to be heard in a way which is true to the way they should be heard. We're focused on organising concerts which aren't stage based, so the audience is participating in the performance, and feels their own participation in it. 

An important part of the process involves research trips across Greece and the Balkans, to meet, hear, see and experience music in the context in which it usually emerges. 

RS: When we do our research trips we make soundscape albums. We record environmental sounds, and we record people talking to us, and our own thoughts about the environments, and snippets of music. Some of it's from the bus, some of it's from people playing, some of it's from a mobile phone ringing. And we put it all together into a composition and album, hoping to sell them so that the money can go back into the festival and help us fund the festival.

Mazi Collective (the working collective of Ramona Stout and Alyssa Moxley) released the album, Unbound Atlas, collected field recordings, writing and images from Kinisi festival curatorial journeys. 

Our two previous editorials featured conversations with Bulgarian musicians: Ivan Shopov and Cvetelin Andreev from the Kaynak Pipers Band. The journey of their most recent research trip took the Mazi Collective by train from Sofia to Belgrade. Next week we follow in their footsteps, and meet with Serbian composer Igor Cubrilovic, who will be performing with the Serbian Women's Choir "Bajke". 


Do you know what Kaynak means? - Cvetelin Andreev and the Kaynak Pipers Band

Do you know what Kaynak means? - Cvetelin Andreev and the Kaynak Pipers Band

You know what kaynak means? In Turkish it means spring, source, where the water comes out. They say: “Go to kaynak to fetch water.” So it means source, and in the bagpipe tradition in the Rhodope Mountains they say: “This is his kaynak, this is his source.” And it describes the state of the musician when he plays his own things, and he plays really well, and you recognise him by hearing only this aspect - this is him. Often that they are really fast tunes, really from the soul and he is just a transmitter, and he receives it and it is transmitted through the fingers – the kaynak. This is a musician.

Sounds Come Before Light: A Conversation with Ivan Shopov

Sounds Come Before Light: A Conversation with Ivan Shopov

The most important part is the whole picture, the journey, the people, the stories you hear, the stories you tell them, they way the people approach you, the way people see the world through their eyes. I like to explore these little details because I come from a really small place, so for me the beauty is in the detail.”